In the 2007 May/June international theatre edition of American Theatre, Randy Gener, senior editor, has contributed “Restaging Romania,” an essay based on his travels to the cities of Bucharest and Sibiu (the 2007 European Capital of Culture). 

Waxing West enjoyed an enthusiastic reception from the New York media. Please find below a selection of the performance's reviews.

Dan Perjovschi's first solo museum exhibition in the United States was highly appreciated in The New York and The New York Times.

With RCINY support, David Nolan Gallery exhibied works of six young artists from Cluj: Adrian Ghenie, Ciprian Muresan, Cristi Pogacean, Serban Savu, Miklos Szilard and Gabriela Vanga. The exhibition was positively reviewed by Holland Cotter in The New York Times, April 13, 2007 issue.

On Friday, February 23, 2007, in the article dedicated to the 2007 Armory Show, New York Times reads: "And there’s a magnetically reticent little group show of paintings, a sculpture and a woven rug with a startling hostage scene at Plan B, a gallery from Cluj, Romania."

As a follow-up to the first edition of the New York Literary Translation Festival that the Romanian Cultural Institute initiated in November 2006, a bilingual dossier on the practice of translation and Romanian-American collaboration in the field has been recently published by the presitigious weekly magazine 22 in Bucharest.

The Romanian-American theatre exchanges are largely presented in a New York Times article on July 19, 2006. In the framework of the RCI'NYs New Drama project, the events organized in collaboration with the LARK Play Development Center, Immigrants' Theatre Project and Martin E. Segal Theatre Center, City University of New York, were considered a succes by the article's author, Gwen Orel.

The New York Times reads in the article No Language Barriers in a Dance Talk Fest, October 10, 2006, by Claudia La Rocco:  "Led by André Lepecki, who teaches performance studies at New York University, and the Romanian choreographer Mihai Mihalcea ... The mood was anticipatory but anxious, with introductions punctuated by awkward pauses and laughter.''